That Floating Poo Was Far Too Meaningful! These Are the TV Letdowns of the Past Year.

As we reflect on the TV landscape of the recent year, a handful of shows stand out not for their brilliance, but for their notable failures. Ranging from cringe-inducing sequels to confusingly bad docuseries, here are the programmes that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final season began, it seemed as if it had finally hit its stride. Then came an episode all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final series. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Still, viewers certainly found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon zero star review, it was hard to know where to start enumerating the problems. The hilariously wooden dialogue? The mind-numbing veneration of affluence and materialism? The seemingly wilful parade of tropes? Acting so poor they felt almost malicious? Let’s just say “each and every one” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of self-destructive excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.

The Supercomputer Drama

Of course we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its stars 
 but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe 
 in painfully slow-motion. That's what you call admitting defeat.

MobLand

Shady figures convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling accents. But there were plenty of other issues. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which felt a bit basic.

With Love, Meghan

Considering the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as intentional provocations. But then you view them and are forced to concede that actually, they may have a point. It’s like watching a homeware magazine animated; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this documentary series chose not to say them. Instead, the viewing was akin to consuming a marketing catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from strangely jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We love the lead actor 
 but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Henry Martinez
Henry Martinez

A seasoned gambling analyst with over a decade of experience in casino gaming and strategy development.

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